One of my favorite lunch places near work in Austin is Phoenicia Bakery and Deli on South Lamar. While I wait for my falafel or gyro to be ready, it's fun to browse through the wide selection of import groceries from around the globe. A lot of the food is Middle Eastern and Persian, but they carry Mexican and British imports as well. The soda cooler is a microcosm of this variety, and this means some exotic beverages you won't find at HEB. The other day I picked out a Materva Yerba Mate soda to go with my sandwich, and it was pretty tasty. The green-tea quality of yerba mate cuts through all the sugar. Looking at the label, Materva is bottled in Miami, but where does the recipe originate? One Wikipedia search later, and I find that it started being bottled in Cuba in the 1920's, but after the revolution the rights were bought by the Cawy Bottling Company in Miami, who still produce it today.
Materva is certainly not the only regional soft drink out there. When I lived in Los Angeles, I found this great place called Galco's Soda Pop Stop that specializes in small label sodas and beers from around the world. Galco's started diversifying their soda selection partially in protest against the high wholesale prices that Coca Cola, Pepsi, etc. were charging them. Now the huge variety you can find there is clearly driven now by the passion of the owner, John F. Nese, who I met and who is a font of knowledge about all things soda. It feels like a living museum when you visit there.
I did notice that BevMo started carrying some of the same sodas a number of years ago, but it's sad to me that you don't find them elsewhere in other stores. When people talk about the "lovavore" food movement it's usually just referring to locally produced healthy foods. But what about local junk food and sodas? Can't our sweet tooth can be local as well. This can also preserve the local cultural history of these products. For example, Big Red, popular in Central Texas, began production in Waco, TX in 1937. There's Fago Original Rock & Rye from Detroit,Red Ribbon Cherry Supreme from Natrona Bottling Company in Pennsylvania, etc. So much history! So much to drink! What's your favorite local junk food or drink?
Monday, January 25, 2010
Friday, January 08, 2010
The Geography of BBQ
BBQ is big business in Central Texas, and here it's not about the sauce, it's about the smoke. Most of the BBQ at serious joints (Smitty's, Kreuz, Salt Lick, etc.) that I've been to around Austin are smoked with Oak wood. And most of the meat that is smoked is beef. When my mom visited we went to the Salt Lick down in Driftwood, and even though she doesn't normally like beef brisket, she really liked theirs. So, this combination of Oak and beef is important. Beef are grass feeders, so you need not only the Oak, but lots of good grasses. That's a combination we have in spades in the Hill Country.
This got me thinking about the geography of BBQ. Why are certain towns and states most associated with BBQ? You have St. Louis, Memphis, North Carolina, and Kansas City as big hubs of bbq meat in the US, and why is that? And why are certain meats or sauces associated with these places. Kansas City has its thick sauce and pork spare ribs. North Carolina has a clear vinegar sauce and pulled pork.
Looking up St. Louis on Wikipedia, "before the founding of the city, the area was prairie and open forest maintained by burning by Native Americans. Trees are mainly oak, maple, and hickory." This gets back to the hardwood and grassland combination that you find in Texas. Then you also have the influence of manmade elements such as the railroads that made St. Louis at one point the gateway to the American west. And farmers who grew corn crops found that one of the best ways to transport the caloric value of corn was to fatten up pigs and then ship them in railcars. So maybe that's one reason why pork ribs are big in St. Louis still to this day.
This got me thinking about the geography of BBQ. Why are certain towns and states most associated with BBQ? You have St. Louis, Memphis, North Carolina, and Kansas City as big hubs of bbq meat in the US, and why is that? And why are certain meats or sauces associated with these places. Kansas City has its thick sauce and pork spare ribs. North Carolina has a clear vinegar sauce and pulled pork.
Looking up St. Louis on Wikipedia, "before the founding of the city, the area was prairie and open forest maintained by burning by Native Americans. Trees are mainly oak, maple, and hickory." This gets back to the hardwood and grassland combination that you find in Texas. Then you also have the influence of manmade elements such as the railroads that made St. Louis at one point the gateway to the American west. And farmers who grew corn crops found that one of the best ways to transport the caloric value of corn was to fatten up pigs and then ship them in railcars. So maybe that's one reason why pork ribs are big in St. Louis still to this day.
Thursday, January 07, 2010
Leaf Blow(ers) Your Horn
Yesterday the mow, blow and go maintenance crew was outside my office in full force. The gas powered blowers are so loud, that I can't help but be annoyed. Why can't they just use rakes and brooms which have quiet, rhythmic, scratching noises that I find kind of relaxing? I know it's because they're too damn slow. But is there an opportunity in the blowers to develop something less annoying to me?
If you think about it, the gas blowers have a droning noise similar to the vuvuzela horn that's popular at soccer matches, and arguably also irritating. And during soccer matches at large stadiums I've thought how much more interesting the sound would be if each horn had it's own tone, ideally spread out among the horns so you have different notes in a triad scale with the root, the third and the fifth (for example C, E and G for the C Major scale).
Well, why not apply the same idea to the leaf blowers? Provide them with a tonal resonance and then give the option to buy attachements to change the tone of the blower so if you have a whole crew out you could have an a simple chord crew, like your earlier mentioned C crew (C-E-G) or your D minor crew (D-F-A).
A more interesting experimental music maintenance option might be to rig a single unit to switch tones as it revs up. It's never a constant stream of blowing, there's always that pulsing to slowly push the leaves and debris. Now, you could have the unit switch in a linear fashion and play a simple melody, like the rotating cylinder of a music box. Or, perhaps more avante garde, you could have the notes randomize, but maybe just for a limited number of notes all in the same scale (such as A minor 9th: A - C - E - G - B). Get a few of these leaf blowers going and you just might have some experimental fusion jazz going as you clean up the landscape.
If you think about it, the gas blowers have a droning noise similar to the vuvuzela horn that's popular at soccer matches, and arguably also irritating. And during soccer matches at large stadiums I've thought how much more interesting the sound would be if each horn had it's own tone, ideally spread out among the horns so you have different notes in a triad scale with the root, the third and the fifth (for example C, E and G for the C Major scale).
Well, why not apply the same idea to the leaf blowers? Provide them with a tonal resonance and then give the option to buy attachements to change the tone of the blower so if you have a whole crew out you could have an a simple chord crew, like your earlier mentioned C crew (C-E-G) or your D minor crew (D-F-A).
A more interesting experimental music maintenance option might be to rig a single unit to switch tones as it revs up. It's never a constant stream of blowing, there's always that pulsing to slowly push the leaves and debris. Now, you could have the unit switch in a linear fashion and play a simple melody, like the rotating cylinder of a music box. Or, perhaps more avante garde, you could have the notes randomize, but maybe just for a limited number of notes all in the same scale (such as A minor 9th: A - C - E - G - B). Get a few of these leaf blowers going and you just might have some experimental fusion jazz going as you clean up the landscape.
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